Here and there . . .
Friday, January 20, 2012
Tuesday, January 17, 2012
Monday, January 16, 2012
Chaz: First Half of New Chapter
New Chapter: Picasso, Nietzsche & Hitler
Will to Power Will
Nietzsche's Book, The Birth of Tragedy, exploded onto the literary scene in 1870 and profoundly changed how the western world conceptualized values and morals and art. While Nietzsche was a philosophical scholar this book was monumental in paving the way for Modern Art.
Nietzsche's bold idea was that the values for the modern world should be reset to the thinkers of the Pre-Socratic era of Ancient Greece where good and evil were not seen as opposites but as both having equal value and importance in the gestalt of our world view. God was dead and we had killed him.
Instead of our morals being dominated by the Christian ideal of good winning out over evil and evil being banished to the underworld. Good and evil, for Neitzsche co-exist on the same moral plane much as the ying and the yang in Chinese philosophy.
Good is seen as the Appolonian ideal of structure, classical form and light and the Dionysian ideal is seen as the irrational, chaotic and dark form. Both ideals are indeed one whole and not opposites.
In Nietzsche's mind Western Philosophy and Art had been greatly compromised by Socrates over his valuation of the sacred search for truth and then later Art and Spirituality are crippled by the Christian morality of Good conquering Evil.
John Richardson, the eminent Picasso biographer and full time purveyor of Modern Art, has told us that Picasso read Nietzche and was greatly influenced by these notions of good and evil being one of the same whole. Many of Picasso's best friends were writers and no doubt they discussed Nietzsche's ideas with Picasso.
Picasso was well aware of his place in the traditions of Western Art. Picasso was also an intrepid explorer of African, Asian, Indian and many other strands of World Art form. Picasso's interests ran from New Guinea to North and South America to the Iberian coast of Spain. Picasso needed a value system to integrate all of this World Art into his own painting style and Nietzsche's concept of how good and evil, Apollo and Dionysus coexisted with each other was the perfect ordering system for Picasso to integrate all the elements of these different artistic modalities into his own personal vision.
Form, geometry, light, chaos and fury were always elements of Picasso's Art. All of these elements worked together in his artistic system thanks to his understanding of Nietzsche. And above all else Picasso was at one with Dionysian energy and frivolity and understanding the moral value of Bacchanalian activities which freed Picasso to pursue his Art with more being and abandon. Dionysus was always welcome at Picasso's beach says John Richardson.
Nietzsche was also a proponent of the great man rising above the low-life of the common man through the power of the will. A great man's biggest hurdle was actually overcoming civilization itself in order for him to be able to achieve anything of value. Nietzsche felt the late 19th century was a time of great moral change as the older Christian values and morality were no longer appropriate to guide civilization into the Modern Age. God was dead and the voice of the great man needed to be heard.
Picasso listened and heeded this call to power and will to make Art with the iron determination of the Great Man. More important to Picasso than life itself was being able to make Art at all costs. Picasso understood his calling as a Great Artist in the traditions of Art and he understood how he was guiding Modern Art in his lifetime. Picasso used his extraordinary will to power, which was enhanced by his reading of Nietzsche, to create over 20,000 objects of Art. Picasso produced enough Art for at least five Artists in his life time. Nothing deterred Picasso's need to create.
In the late 1920's Picasso bought an old chateau outside of Paris where he would paint and sculpt and where Olga would enjoy being out of the city. There was no electricity wired into the buildings and Picasso could not stop what he was doing in the studio long enough to hire an electrician to wire the property for electrical power. Picasso painted in the old horse stable on the property and when it got dark in the studio Picasso had his chauffeur Marcel drive the trusty Hispano-Suiza touring car up to the front door of the studio and turn on the car lights to illuminate the studio. So much for Picasso needing that special Northern light or even natural light to paint by.
Picasso hardly traveled in his life other than to the South of France or back to Paris. To travel would take away from his time to work in the studio and create Art.
Even Picasso's collector's, friends and women had to wait for Dionysus while he worked.
Hitler was another man called to the power of the will.
-- Charles
Sunday, January 15, 2012
Friday, January 06, 2012
pictures
The book needs pictures.... got any?
The book needs about 50 photographs of nazis, artists & spanish republicans & women & tanks & communists.
The photos need to set the mood for the book.
The frame and structure of how the story works. What am I talking about?
I am writing the last chapter of the book which is about, Picasso, Nietzsche & Hitler, tonight.
Very interesting. A man can be thought of by others more than one
way from Friday.
I am going to write about the Birth of
Tragedy and Thus Spake Zarathrustra
and compare each book's personality.
For the first time in my life I am grasping the idea of Beyond Good & Evil.
Beyond Good & Evil is the existence of being.
We are alive. Anyway that's what I am up to.
Saturday, December 31, 2011
Wednesday, December 28, 2011
Fwd: De Kooning
I went back to view De Kooning again and I was all wrong, in fact I was all wet believing he was not much of a talent. De Koon is fabulous I was an idiot! Rivera is pretty good with the Calla Lilies as well.
Charles Sent from my iPhone
Charles Sent from my iPhone
Monday, December 26, 2011
Out for a Walk
. . . on Christmas Day, near Eliot and Kyra's . . . the abdominal . . . I mean, abominable . . . snowman!!!!!!
Saturday, December 24, 2011
Slavko: Happy Holidays
Wish you all the best for this coming holiday season, we got a small Christmas tree ready, along with some wheat and orchid that doesn't seems to stop blooming. Business as usual, have some sunshine, but it is a winter definitely (Nada's longing for the summer now)! Two good news for the coming year, back road is being paved, Berica's working with all the equipment, and new catamaran stop is under construction across St.Nikola's church, at Vlaska. And, by Berica store one section of riva is rebuilding. It feels better with the work going on!
Best wishes to you, Julia and the family from Nada and Slavko
Wednesday, December 21, 2011
Chaz sez:
My car wouldn't start last night after work and then I hit a cement post with Melanie's car later in the evening. I used up most of my AAA tows for the year in less than 4 hours.
Charles
Charles
Solstice
I am drinking Pacifico,
smoking cigars,
listening to Sarah Vaughan,
almost
as if it were summer.
smoking cigars,
listening to Sarah Vaughan,
almost
as if it were summer.
Friday, December 16, 2011
Wednesday, December 14, 2011
Last Part of Booke
THE BATTLE OF PARIS
General Leclerc , De Gaulle's favorite French tank commander, of the French 2nd Army had been attached to the American General Patton and was overanxious to take his men and aide the uprisings of the French Resistance against the Nazis in Paris beginning on August 19th.
LeClerc went to Patton and demanded that he be allowed to drive his men to Paris and begin the liberation of the city. Patton was indifferent to this demand and told LeClerc it made no difference to him who liberated Paris. Finally after much cajoling from De Gaulle Eisenhower finally gave the permission for LeClerc to head his troops in the direction of Paris. Some observers say that LeClerc had already left by the time his orders arrived.
The Allied command was reluctant to help the French 2nd Army but as the liberation of Paris ran into modest resistance from the Nazis they sent in divisions of the 3rd American Army to help out. The Americans were worried that the liberation of Paris might turn into the Battle of Stalingrad all over again but the heroics of the French Resistance in those days went a long way toward the surrender of the German commandant Dietrich von Cholitz.
On August 19th the French Resistance began to blockade the streets of Paris and attacked the German garrison on the Isle St. Louis. This led to conditions of general mayhem in the city and the German commander even tried to negotiate a cease-fire with the Resistance fighters but the French smelling blood would not have it.
Hostilities in the streets grew, as there was a general strike called by Resistance, which severely limited the Nazis from managing the city anymore.
Hitler had demanded that von Cholitz wire the famous landmarks of Paris and its bridges with enough bombs to level the city. Hitler wanted Paris left in a heap of rubble on the way out of town.
While von Cholitz had been a loyal Nazi general in his career and had committed many acts of cruelty and violence he could not bring himself to destroy one of the most beautiful cities in the world. While von Cholitz joked with his men that he was going to blow up the Eiffel Tower and use it as a foot bridge to cross the Seine he knew in his heart that he did not want to be known as the man who destroyed the city of light. The city of Paris. And besides von Cholitz knew that Hitler was now losing the war and to follow his commands to letter was a risky venture.
After much fierce fighting, Leclerc and his 2nd Army and the French Resistance liberated Paris on August 24th with the loss of 1500 Resistance fighters and 100 soldiers dead. Over 5,000 German soldiers surrendered along with General von Cholitz.
The French people rushed out into the streets because they were so ecstatic that the Nazis had finally been defeated. They were put in great harm thought by isolated German snipers lodged in the top floors of apartment buildings and on the rooftops of commercial buildings.
When De Gaulle entered the great Cathedral Notre Dame on the 25th after his march down the Champs Elysee he was nearly gunned down as strode into the church by German snipers. De Gaulle did not flinch a bit and he went on to deliver his famous speech about French liberty.
Pariee est liberte!!
The Battle for Paris is especially fierce near Picasso's home that he often said a bullet went by his head one morning, as he opened a window, and lodged itself into the wall of his bathroom. Marie Therese lived on the Isle St. Louis where the German garrison was under attack so Picasso went to her apartment to stay with her and their daughter Maya.
On August 25th, 1944 General Leclerc swept into Paris and forced the Germans to surrender the city back to the Free French. Later that day the 3rd American Army followed right behind.
Ernest Hemmingway was a journalist traveling with the American 3rd Army and on the day Paris is liberated from the Nazis he boasted that he liberated the bars at Crillon and Ritz Hotels and he that let enough champagne flow out to liberate all of the streets of Paris. Hemingway loved a story.
Later that same day Hemingway visited the Shakespeare and Company bookstore and asked Sylvia Beach what he could do for her. Sylvia complained about the German snipers on the rooftops across the street shooting down on passer bys on the sidewalks. Hemingway said no problem and went outside and spoke with the American soldiers traveling with him about the snipers. Within 15 minutes the snipers had been dealt with.
Hemingway's next stop was Picasso's place. When Hemingway arrived Picasso was not home but the concierge of the building asked if Hemingway would like to leave a present for Mr. Picasso. Hemingway thought for a moment and then went back to his jeep parked on the street. Hemingway returned with a case of grenades and told the concierge that, "Please tell Mr. Picasso that these are a gift from Mr. Hemingway.
Picasso returned to his studio on Grandes Augustine's once the fighting and sniper fire was subdued and once he found that Picasso was now the most famous and beloved man in all of France.
Because Picasso outlasted the cruelty of the Nazi's without giving in to their offers of better treatment all the world looked to him as a beacon of hope.
Picasso's home became the most popular spot on the tourist map for American soldiers on leave. Francoise Gilot told stories about how every day after the liberation for weeks and weeks that there were American soldiers sleeping all over the vast studios. The soldiers had all come to be with a hero.
By waiting out the Nazis with Hitler's proclamations and believing in deep in his sense of inner being and to keep on working in spite of the terror Picasso had won the war with the Nazis over life, liberty and art and the freedom to make Art as you believe.
In May of 1945 while Hitler is having himself and Eva murdered by an SS agent and then ordered to be burned like Sigfried; Picasso is living in gay Paris and starting a whole new chapter of his creative life with the intelligent and shapely twenty three year old Francoise Gilot.
The Question goes out to the reader, "Who won that contest?"
Charles Grimes 2011
What a weird year.
Tuesday, December 13, 2011
The God Particle
Well, as you know, CERN today announced "tantalizing hints" of the Higgs Boson -- the "god particle" that gives things -- other particles -- mass. Physicists need to find this particle to confirm the Standard Theory of sub-atomic particle interaction. They believe they should be able to confirm it, or rule it out, in the next few months. If ruled out, this would force a radical rethink of 'the way things are.' The video above explains the Higgs field and Higgs boson.
Thursday, December 08, 2011
Fwd: BOOK
---------- Forwarded message ----------
From: Charles Grimes <charlesgrimes9@gmail.com>
Date: Thu, Dec 8, 2011 at 12:08 PM
Subject: book
To: JRH <jhurd@qsoup.net>
From: Charles Grimes <charlesgrimes9@gmail.com>
Date: Thu, Dec 8, 2011 at 12:08 PM
Subject: book
To: JRH <jhurd@qsoup.net>
Thanks for your support. I am reaching a point of mental fatigue as I search for the end of this phase of the book. I know I will need to add more sections to get the book to 150 pages. I have thought of two sections. Mythologies is one chapter and Racisim is the other. Racisim is what allows your mind to damage and murder other peoples so easily. A Rascist believes he is culturally and mentally superior to those he plunders. Kinda deep.
I think I have stumbled upon what I need. The Nazi vision goes up in flames so a sense of renewal by fire there. Picasso finds a sense of renewal in his attraction to Francoise. She is young and beautiful and he can shape her into his new muse of life after near death at the hands of the Gestapo. Picasso's trust in his belief of self and working in the face of terror and believing in his mythology outlasts the Nazi government beliefs (there are still Nazi who personally believe) and their work and mythology. With the liberation of Paris Picasso is the number one celebrity of the Liberation and he did not even fire a shot. Even DeGaulle had comprimised himself during the Occupation but Picasso's belief in sticking out the Occupation and being himself made him the uncomprimised hero.
His women would see this another way but History remembers only the victors. While Hitler is having himself and Eva murdered in his bunker Picasso is starting a new life of celebrity and fame with a 20 year old babe.
Something like that.
I have been watching all of these documentaries of the Battle of Stalingrad. The German soldiers were so hungry and cold that in the last days of the battle they would bury themselves in the rubble to stay warm and at the end of the fighting the Russian soldiers had to dig the Germans out of the ruble because they were too weak to do it themselves.
I am just starting to dig into the material about the last days of the German occupation where Hitler tells his commander in chief in Paris that if Hitler cannot have Paris then no one will have it. Leave Paris in a heap. Destroy everything.
Charles
Dateline Detroit: Chaz and Diego
Chaz gets to see Diego Rivera's 'Detroit Industry' murals (1932) Detroit Institute of Arts. An Edsel Ford legacy . . .
"Notes the Washington Post, "Rivera was hired by the Ford Motor Co., and his series of politically charged fresco panels was called 'Detroit Industry.' Ultimately, Edsel Ford allowed that it was acceptable for an artist to displease his patron; the work is now recognized as one of Rivera’s masterpieces." "
Wednesday, December 07, 2011
Sunday, December 04, 2011
Oh, "Merely" that . . . well, that's a relief . . .
"By Pepe Cortes
PALENQUE, Mexico | Fri Dec 2, 2011 10:06am EST The Mayan calendar marks the end of a 5,126 year old cycle around December 12, 2012 which should bring the return of Bolon Yokte, a Mayan god associated with war and creation.
Author Jose Arguelles called the date "the ending of time as we know it" in a 1987 book that spawned an army of Mayan theorists, whose speculations on a cataclysmic end abound online. But specialists meeting at this ancient Mayan city in southern Mexico say it merely marks the termination of one period of creation and the beginning of another. . ."
(Ed: Bold and italics are mine . . .)
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